Hugh Scott-Douglas

Infrastructure
36×48
Oil and laster cut linen on linen over wooden stretcher
Scan With EPSON PERFECTION V7500 PRO at 600dpi of photo by Dr. Paul Wolff. Agfa Stock – 1920
Image edited with Adobe Photoshop Generative Imaging v.25.0.31
Image edited with Runway.AI GEN-2
Printing with OCE ARIZONA 1680 Raven Lake Studios, Warwick, NY Technician: Steve Hoey
Cutting with Trotec sp200 Technician: Steve Hoey

 

vexovoid
54×40 inches
Oil on Superfine 8oz canvass
Festool ETS 150/5 EQ-Plus 576088
EPSON PERFECTION V7500 PRO
photo by Dr. Paul Wolff. Agfa Stock – 1920
Adobe Photoshop Generative Imaging v.25.0.31
Runway.AI GEN-2
OCE ARIZONA 1680
Raven Lake Studios, Warwick, NY Technician: Steve Hoey
FX Effects #8 Blade

 

 

 

 

Mimetic Polyalloy 1

80×53 inches 

2024

Scan of photo by Dr. Paul Wolff. Agfa Stock – 1920 Image created with Adobe Photoshop Generative Imaging v.25.0.31 GAC 100, gesso, titanium white acrylic paint and screentone Print of scan captured with EPSON PERFECTION V7500 PRO at 600dpi  Generative image created with Adobe Photoshop Generative Imaging v.25.0.31 Print on Ultrafine 8oz canvas at Raven Lake Studios, Warwick, NY on OCE ARIZONA 1680 Technician: Steve Hoey

 

 

weak technologies 

80×53 inches 

Watch movement parts scanned using EPSON PERFECTION V7500 PRO at 1600dpi

Printed on Dibond panel at KDF REPROGRAPHIC, ROCKLIEGH NJ on OCE ARIZONA 1680 

Technician: Mark Pilcher 

Image created with Adobe Photoshop Generative Imaging v.25.0.31

CNC with SHOP SABER IS-M at EJ DAVIS AESTHETICS, BETHANY, CT 

Technician: Erich Davis 

Iwata Eclipse All-Star Versatility HP-CS Airbrush

GAC 100, fiberglass screen, gesso, titanium white acrylic paint and screentone

Print of scan captured with EPSON PERFECTION V7500 PRO at 600dpi 

Generative image created with Adobe Photoshop Generative Imaging v.25.0.31

Printed on Dibond panel at KDF REPROGRAPHIC, ROCKLIEGH NJ on OCE ARIZONA 1680 

Technician: Steve Hoey

2023

 

rasterbilder (for a friction free future)  48×80

rasterbilder (for a friction free future) 48×80 (detail)

 

æther, 2024

Watch movement parts scanned EPSON PERFECTION V7500 PRO at 1600dpi Printed on Dibond panel at KDF REPROGRAPHIC, ROCKLIEGH NJ on OCE ARIZON 1680 Technician Mark Pilcher Image created with Adobe photoshop Generative Imaging v.25.0.31 CNC with SHOP SABER IS-M at EJ DAVIS AESTHETICS, BETHANY, CT Technician Erich Davis GAC 100, fiberglass screen, gesso, titanium white acrylic paint and screentone Print of Scan captured with EPSON PERFECTION V7500 PRO at 600dpi Generative Image created with Adobe photoshop Generative Imaging v.25.0.31 Printed on Dibond panel at Raven Lake Studios, Warwick NY on OCE ARIZON 1680 Technician Steve Hoey
80 × 53 in | 203.2 × 134.6 cm

 

 

Iwata Eclipse All-Star Versatility HP-CS Airbrush among other things…

Harbors Mouth 

Digital C Print 

Ink drawing rendered with Brother SDX85 

In two parts 8×10

 

Matters Principal, 2024

GAC 100, fiberglass screen, clear gesso, titanium white acrylic paint on Aluminum Stretcher Print of Scan captured with EPSON PERFECTION V7500 PRO at 600dpi Generative Image created with Adobe photoshop Generative Imaging v.25.0.31 Printed Raven Lake Studios, Warwick NY on OCE ARIZON 1680 Technician Steve Hoey
53 × 40 in

 

Dr. Mayer-Hermann

80×53 inches 

Collage scanned with EPSON PERFECTION V7500 PRO at 600dpi 

Elements added with Adobe Photoshop Generative Imaging v.25.0.31

Printed on extruded polypropylene with Cannon Karibu 2 SWISS Q printer 

GAC 100, fiberglass screen, gesso, titanium white acrylic paint and Screentone

Printed at DUGAL IMAGE WORKS, Brooklyn, NY

Technician: Jason Isolini 

2023

who is here so base, that would be a bondman?

8×10

Ink drawing rendered with Brother SDX85 

Acetone toner transfer on arches hot pressed 140lbs

2023

This work on paper takes its quote shakespeak as it appears in the opening page of Ted Kazinsky’s book “Technological Slavery”. Text is drawing executed using a hacked desktop quilt cutting machine and repeated over a dry toner transfer of The Instruments of Human Sustenance by Giuseppe Arcimboldo.

 

æther 

80×53 inches 

Collage scanned with EPSON PERFECTION V7500 PRO at 600dpi 

Elements added with Adobe Photoshop Generative Imaging v.25.0.31

Printed on extruded polypropylene with Cannon Karibu 2 SWISS Q printer 

GAC 100, fiberglass screen, gesso, titanium white acrylic paint and screentone

Printed at DUGAL IMAGE WORKS, Brooklyn, NY

Technician Jason Isolini 

2023